It Was Never Just Aesthetics
People sometimes ask if the witchcraft in my work is decorative — if the sigils are just symbols, if the spell jars are just pretty objects. The answer is no. My practice is real, and it runs through everything I make.
I've been working with intention, ritual, and the unseen for years. It shapes how I approach each piece — what goes into it, when it's made, what energy I bring to the process. The objects I create are not props. They are tools.
Spell Jars
A spell jar is one of the oldest forms of folk magic — a vessel filled with carefully chosen ingredients, sealed with intention, and kept as a working object. Mine are made by hand, one at a time. Every ingredient is selected for its correspondence: herbs, resins, crystals, bones, ash, salt, dried flowers. Nothing goes in randomly.
The jar itself matters too — its shape, its seal, the colour of the wax I use to close it. I work with the moon cycle when I can. Some jars are made for protection, some for clarity, some for love or grief or letting go. Each one is different because each intention is different.
Sigils
I burn sigils into wood using pyrography. A sigil is a symbol created to carry a specific intention — condensed, charged, and activated. Burning it into real wood means it's charged with smoke and flame, permanently marked into the material. There's nothing temporary about it.
The process of making one is part of the magic: the focus required, the heat, the smell of burning wood, the deliberate and irreversible mark. Some of my pieces incorporate sigils directly — burned into the back panel, hidden beneath layers of resin, or placed where only the owner will know to look. Sometimes the magic is in what you can't see.
Portable Altars
Not everyone has space for a permanent altar. Not everyone wants one. A portable altar is a sacred space that travels with you — compact, intentional, complete.
I make portable altars in boxes, caskets, frames, and glass domes — each one containing a curated set of objects chosen for a specific purpose. Some are made for protection, some for grief, some for daily practice. Others are dedicated to specific deities or built around occult symbolism — crafted for practitioners who work within a particular tradition or path.
The idea is that sacred space isn't fixed. It lives in the objects, in the intention, in the person who carries it.
Why It Matters
I don't make witchcraft objects for people who want to look witchy. I make them for people who practice — or who are beginning to, or who feel drawn to something they can't quite name yet.
Every piece that leaves my hands has been made with care and intention. That's not a marketing phrase. It's just true.
If you're drawn to objects made with real intention, Arcanum — a handmade witch's cabinet shadowbox with bones, crystals and occult symbolism — is available now.