There is a kind of object that exists between the worlds.
Not quite an altar. Not quite a reliquary. Not quite a shadowbox. Something older than all three — a vessel built not to display, but to hold. To contain. To consecrate.
I call them deity caskets.

What is a deity casket?
A deity casket is a handcrafted wooden box — closed, intimate, intentional — built around a single deity, spirit, or sacred theme. Every element inside is chosen with purpose: the colours, the materials, the symbols, the objects. Nothing is decorative for decoration’s sake. Everything means something.
The caskets I make come in different forms — from smaller, intimate vessels to large chests that hold entire worlds inside. Each one begins the same way: with a conversation, and with a deity.
Built for Hecate — an example
This smaller casket was made for Hecate — goddess of crossroads, magic, the liminal, and the number three. It is just one example of what a deity casket can look like — every piece I make is built around a different deity, a different person, a different intention. No two are ever the same.
That number three runs through everything here: three vials, three teeth, three moon symbols. In sacred work, repetition is not accident. It is intention made visible.
Crow feathers sealed in a glass vial with black wax and a crow ornament — for protection. Snake skin alongside a Triple Goddess pendant. A small amethyst tower. A glass vial of goat’s teeth — one of Hecate’s sacred animals. An amethyst pendulum suspended behind natural lace with a hidden magnet. A key, a pentacle, quartz moons. Everything in threes, because Hecate asks for threes.

The Universal Witch Altar Box
For those who work with many deities, spirits, or intentions — or who simply need a sacred space that adapts — I make the Universal Witch Altar Box. A larger chest, lined with crushed purple velvet and vintage natural linen lace, that holds an entire world inside.
A wooden mortar carved with the Triple Moon symbol. A handcrafted wand of roe-deer antler and tiger eye crystal decorated with silver ornaments. A handcrafted wooden pendulum board. A pendulum with an amethyst stone. Sage incense for purifying, cleansing, and stress relief. A scrying mirror of obsidian — stone of protection, grounding, transformation, and the ability to see into the shadows.
A skull-shaped glass bottle filled with amethyst chips for spiritual awareness and connection to the divine. A vial of dried lavender for soothing and manifestation. A glass bottle of marten claws for protection and healing. A vial of snake molt — for rebirth, transformation, immortality.
A travel spell jar holding fox bones, crow feathers, and dried plants — created to protect and enhance self-awareness and adaptability. A protection spell jar ornamented with an obsidian arrowhead, containing tiger eye shards, obsidian, sage, rosemary, lemongrass, peppermint, clear quartz, sandalwood. A prosperity spell jar for abundance — cinnamon, basil, aventurine, mint, clove, green sealing wax.
Crow familiar Randulfr, surrounded by his books and potions, enclosed in a glass dome. A miniature travel spell jar for long forest hikes. A hand-painted head of a three-eyed black cat. A handcrafted frame with a silver moon, a moth, and three mouse skulls. Sardonyx and labradorite for protection. A Crystal Goddess carved from moss agate — to enhance energy flow, promote healing, boost creativity and intuition. Rose quartz, clear quartz, and amethyst in a velvet pouch: the golden triangle. Tranquility, purification, love.
Every spell jar is made from my own recipes, blessed on my altar, created in accordance with the art of witchcraft.

Built for Lilith and Lucifer — the Occult Ritual Casket
Not every deity casket is built for the light. Some are built for the dark — deliberately, reverently, without apology.
This casket was created for Lilith and Lucifer — figures of sovereignty, rebellion, and raw power. The iconography inside reflects their nature: dark materials, sharp symbols, objects chosen for their weight and their edge.

Pirography — dedicated sigils burned into wood
Many of my caskets and altar pieces feature hand-burned pirography — dedicated sigils, moon symbols, protective marks burned directly into the wood. Each sigil is chosen or created specifically for the piece and the deity it honours, burned by hand, one line at a time.

Sacred iconography — a visual language
When I begin a deity casket, I start with questions. Who is this for? What energy should it hold? What symbols carry weight for you?
From there, the composition builds itself — slowly, deliberately. The iconography inside is not decoration. It is a visual language that speaks directly to the deity it honours, and to the person who will live with it. Every object has a reason. Every placement has a meaning. Every material was chosen, not grabbed.
How the process works
Every deity casket begins with a conversation. I don’t take orders without consultation — because I can’t build something sacred without understanding what it needs to hold. We talk about your chosen deity or spirit, your intention, your aesthetic, the symbols that matter to you, the materials you’re drawn to.
Then I disappear into my workshop for up to four weeks. What comes back is yours. Completely, irreversibly yours. It will never be made again.
Who is a deity casket for?
For practitioners who want a devotional object that goes beyond a generic altar setup. For collectors who want something that carries genuine intention. For anyone who has ever felt that the sacred deserves to be housed in something worthy of it.
You don’t have to follow any particular tradition. You don’t have to explain yourself. You just have to know what calls to you.
Start with a message.
If you feel drawn to this — reach out before you order. Tell me about your deity, your vision, your space. We’ll figure out the rest together.
→ See the Deity Devotion Casket
Every element intentionally selected. Every piece unrepeatable. Every casket, a world of its own.